The news of Presley ‘Cobrizzi’ Chweneyagae’s sudden passing on 27 May 2025 was a big surprise to South Africa and the international film community. At just 40 years old, the award-winning actor, known for his captivating performances in “Tsotsi” and “The River,” left behind a legacy that touched countless lives. While the official cause of his death remained undisclosed by his family, speculation began to swirl, fueled by grief and a desire to understand the unexpected loss.
The family, understandably, chose not to speculate, emphasizing their need to await the results of a postmortem examination before making any public statements. This decision, while respecting their privacy, left a void of information that others were quick to fill.
In the hours following Chweneyagae’s death, a close friend of the actor, speaking on condition of anonymity, shared a possible explanation for the tragedy. According to sources, Chweneyagae had been admitted to Kalafong Hospital in Pretoria the previous week, reportedly suffering from epilepsy and seizures. This revelation, while unconfirmed by official sources, offered a potential insight into the actor’s final days.
Epilepsy, a neurological disorder characterized by recurrent seizures, can present significant challenges to those who live with it. The condition can manifest in various ways, ranging from brief, almost imperceptible episodes to prolonged convulsions. While many individuals with epilepsy lead full and active lives with proper management and medication, the disorder can sometimes lead to serious complications, including sudden unexpected death in epilepsy (SUDEP).
Justene Smith, a disability expert at Equity Solutions company, Progression, explained that epilepsy may be classified as a disability under the Employment Equity Act if it significantly limits a person’s ability to enter or advance in employment or substantially impacts their ability to perform essential job functions. Smith also highlighted the complex considerations surrounding disclosure of an epilepsy diagnosis.
While disclosing the condition can empower individuals to explore reasonable accommodations with their employers, it can also have negative consequences, depending on management’s attitude. The Employment Equity Act does not legally require South Africans to disclose a disability like epilepsy, even when completing standard Employment Equity Declaration Forms. This decision to disclose remains voluntary, weighing the potential benefits against the risk of discrimination or discomfort.
The alleged revelation of Chweneyagae’s possible struggle with epilepsy added a layer of complexity to the narrative surrounding his death. It raised questions about whether the actor had chosen to keep his condition private, and if so, what factors might have influenced that decision. It also sparked conversations about the stigma surrounding epilepsy and the importance of creating supportive and inclusive environments for individuals living with the disorder.
Those who knew Chweneyagae personally recalled his vibrant spirit and infectious enthusiasm. South African playwright and director Aubrey Sekhabi, who had known Chweneyagae since he was a young boy, shared cherished memories of their last encounter on the evening of 25 May 2025. Sekhabi recounted how Chweneyagae had been in high spirits, dancing, singing, and expressing his joy at seeing Sjava perform live at the State Theatre in Pretoria.
Midway through the concert, Chweneyagae had embraced his friends, expressing his happiness at being surrounded by those he cared about. Sekhabi remembered Chweneyagae’s insistence on playing the song “Ndoko Mane” by Norman Chauke, and how he seemed perfectly fine, the Presley they all knew and loved. The two friends made plans to exchange selfies from the evening, but those photos were never sent.
The news of Chweneyagae’s passing reached Sekhabi the following morning, delivered in a blunt phone call from his brother. The shock and disbelief were palpable, as the reality of the loss began to sink in. Sekhabi had known Chweneyagae since he was 10 years old, having served as his teacher at the Mmabana Arts, Culture and Sport Foundation. Their relationship had evolved into a deep friendship and mentorship that spanned decades.
Chweneyagae’s journey to stardom began at a young age. Born on 19 October 1984 in Mafikeng, he discovered his passion for acting early, joining drama classes at the North West Arts Council, now known as The Mmabana Arts, Culture and Sports Foundation. His talent quickly became apparent, and he blossomed into one of South Africa’s most celebrated talents, destined for both local and international acclaim.
His breakthrough role came in 2005, when he starred as David, known as Tsotsi, in Gavin Hood’s adaptation of Athol Fugard’s novel. The film, set in Johannesburg’s Alexandra township, tells the story of a hardened gang leader who undergoes a profound transformation after inadvertently kidnapping a baby. Chweneyagae’s performance was lauded for its depth and authenticity, earning him the Black Movie Award for Outstanding Performance by an Actor in a Leading Role.
“Tsotsi” not only captured the hearts of audiences in South Africa but also put the country on the map, earning an Oscar for Best Foreign Language Film at the 78th Academy Awards. It was a moment of immense pride for the entire nation, and Chweneyagae became an overnight sensation.
But Chweneyagae was far from a one-hit wonder. Over the years, he delivered brilliant performances in films such as “Mandela: Long Walk to Freedom” and dazzled audiences in the acclaimed television series “The River,” where he played the complex character Cobra. His portrayal of Cobra resonated deeply with South African audiences, earning him a Golden Horn at the South African Film and Television Awards.
Chweneyagae’s talent extended beyond the screen. He mesmerized theatregoers with roles in classics like “Hamlet,” “Julius Caesar,” and adaptations such as “Dikeledi.” He also excelled in productions such as “Kalushi,” “Relativity,” “Jack in the Box,” and “The Grandball.” In addition to his acting prowess, Chweneyagae was also a gifted writer and director. He co-wrote the internationally acclaimed play “Relativity” with Paul Grootboom and directed the award-winning production “CELL NO 4.”
Beyond his professional achievements, Chweneyagae was remembered for his kindness, generosity, and unwavering support for young artists. He was a guiding light for many, sharing his wisdom and lifting others up in an industry often difficult to navigate. His legacy as a mentor and role model will continue to inspire generations of South African actors.
As South Africa mourned the loss of Presley Chweneyagae, tributes poured in from all corners of the entertainment industry and beyond. The South African Film and Television Award described him as “a powerhouse performer whose talent left an indelible mark on our screens and in our hearts.” The Mmabana Arts, Culture and Sport Foundation stated that Chweneyagae’s passing was a profound loss not only to the foundation and the artistic community but to South Africa as a whole.
Nina Morris Lee, CEO of MLA, Chweneyagae’s acting agency, expressed her sadness, stating that he was a longtime and cherished member of the MLA family, more than a client, he was a friend, a mentor to many, a beacon of creativity and perseverance. She extended heartfelt condolences to his wife, children, and loved ones, and celebrated the light he brought to the world.
As the nation awaited further details of the memorial service, it was clear that Presley “Cobrizi” Chweneyagae had left an indelible mark on South African society. His talent, passion, and commitment to his craft had touched countless lives, and his legacy would continue to inspire generations to come. Whether his passing was due to epilepsy, as alleged by a close friend, or some other cause, his memory would forever be etched in the hearts of those who knew and loved him.
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